06: Gregory Crewdson: Cathedral of the Pines (Signed)
Cathedral of the Pines marked a return to Crewdson’s classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged imagery.
This body of work marks a time of transition for the artist, including the end of his marriage and a retreat from New York to a remote home and studio in western Massachusetts—a period of time during which Crewdson chose to remain socially withdrawn, instead committing to daily, long-distance, open-water swims and cross-country skiing on wooded paths. Cathedral of the Pines is named after one of these trails, deep in the forests of Becket, Massachusetts, the site where he found the inspiration to make these new pictures. It was there that he felt darkness lift, experienced a reconnection with his artistic process, and moved into a period of renewal and intense creative productivity.
The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.”
Cathedral of the Pines was was exhibited at the Photographers' Gallery in 2017, these are the last signed copies of the exhibition catalogue.Title: Cathedral of the Pines
Publisher,Year: Aperture, 2016
Author: Essay by Alexander Nemrov
Photographer: Gregory Crewdson
Graphic Design: McCall Associates
Size: 30 x 39 cm, 76 pages