{"title":"William Eggleston: All that goes unnoticed","description":null,"products":[{"product_id":"william-eggleston-guide","title":"William Eggleston's Guide","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eWilliam Eggleston's\u003c\/em\u003e \u003cem\u003eGuide\u003c\/em\u003e was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of \u003cem\u003eWilliam Eggleston's\u003c\/em\u003e \u003cem\u003eGuide\u003c\/em\u003e, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eWilliam Eggleston's Guide\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eMoMA, 2002\u003cbr\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e William Eggleston, John Szarkowski\u003cbr\u003e\u003cstrong\u003ePhotographer: \u003c\/strong\u003eWilliam Eggleston\u003cstrong\u003e\u003cbr\u003eGraphic Design: \u003c\/strong\u003e-\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eHardcover\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e23 x 23 cm, 112 pages\u003cbr\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e978\u003cspan\u003e0870703782\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEdition: \u003c\/strong\u003e-\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":37931584651455,"sku":"","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/products\/guide_tpgbookshop01.jpg?v=1610028556"},{"product_id":"william-eggleston-the-outlands-selected-works","title":"William Eggleston: The Outlands, Selected Works","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv style=\"border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\" class=\"@apply [\u0026amp;\u0026gt;p]:mb-[1.25rem] last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e\u003cstrong\u003eA selection of nearly one hundred previously unseen images from the 1960s and 1970s by the pioneer of color photography, William Eggleston.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cspan class=\"block h-5 w-full\"\u003e\u003c\/span\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e \u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e\u003cem\u003eThe Outlands\u003c\/em\u003e, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—\u003cem\u003eThe Outlands\u003c\/em\u003e is emblematic of Eggleston’s dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.\u003c\/p\u003e\n\u003cspan class=\"block h-5 w-full\"\u003e\u003c\/span\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e \u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003eAccompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston’s oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.\u003c\/p\u003e\n\u003cspan class=\"block h-5 w-full\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eThe Outlands: Selected Works\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Zwirner Books\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e William Eggleston\u003cbr\u003e\u003cstrong\u003eFormat: \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSoftcover, with flaps\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e27.3 × 37.5 cm\u003cbr\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e9781644230770\u003c\/p\u003e","brand":"TPG Bookshop","offers":[{"title":"Default Title","offer_id":45323448221917,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/THEOUTLANDS.jpg?v=1717594947"},{"product_id":"william-eggleston-the-outlands-selected-works-copy","title":"William Eggleston: The Last Dyes","description":"\u003cdiv class=\"my-[3.75rem]\"\u003e\n\u003cdiv style=\"border: 0px solid rgb(229, 231, 235); box-sizing: border-box; scrollbar-color: auto; scrollbar-width: auto; --tw-border-spacing-x: 0; --tw-border-spacing-y: 0; --tw-translate-x: 0; --tw-translate-y: 0; --tw-rotate: 0; --tw-skew-x: 0; --tw-skew-y: 0; --tw-scale-x: 1; --tw-scale-y: 1; --tw-scroll-snap-strictness: proximity; --tw-ring-offset-width: 0px; --tw-ring-offset-color: #fff; --tw-ring-color: rgba(59,130,246,.5); --tw-ring-offset-shadow: 0 0 #0000; --tw-ring-shadow: 0 0 #0000; --tw-shadow: 0 0 #0000; --tw-shadow-colored: 0 0 #0000;\" class=\"@apply [\u0026amp;\u0026gt;p]:mb-[1.25rem] last:[\u0026amp;\u0026gt;p]:mb-0\"\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eForeword by Winston Eggleston. 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In the early 1990s, Kodak stopped producing the dyes, paper, and film used for this process. With the necessary materials now discontinued, and the bulk of what remained being used for the major group of work presented at David Zwirner in Los Angeles,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Last Dyes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emarks the final presentation of new works completed in this medium.\u003c\/p\u003e\n\u003cp class=\"text-black-100 text-sm md:text-md\"\u003eThe publication includes a new essay by Jeffrey Kastner, offering critical insights into Eggleston’s enduring influence at this turning point in the history of photography.\u003c\/p\u003e\n\u003cp class=\"text-black-100 @apply text-sm md:text-md\"\u003e \u003c\/p\u003e\n\u003cspan class=\"block h-5 w-full\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eThe Last Dyes\u003cbr\u003e\u003cstrong\u003ePublisher:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Zwirner Books\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e William Eggleston\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardback \u003cbr\u003e\u003cstrong\u003eSize: \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e25 × 32 cm\u003cbr\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e9781644231678\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":55975655211388,"sku":null,"price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/thelastdyes.jpg?v=1763573022"},{"product_id":"eggleston-william-for-now","title":"Eggleston, William: For Now","description":"\u003cp\u003e\u003cem\u003eFor Now\u003c\/em\u003e is the result of filmmaker Michael Almereyda’s year-long search through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising.\u003cbr\u003e\u003cbr\u003eEssays by Michael Almereyda, Lloyd Fonvielle, Kristine McKenna, Greil Marcus, and Amy Taubin.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: For Now\u003cbr\u003e\u003cstrong\u003ePhotographer: \u003c\/strong\u003eWilliam Eggleston\u003cbr\u003e\u003cstrong\u003eEdition: \u003c\/strong\u003eForth (expanded) Edition, contains 8 additional photographs that do not appear in previous editions\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePublisher, Year\u003c\/strong\u003e: Twin Palms, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Hardcover\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSize, Pages\u003c\/strong\u003e: \u003c\/span\u003e\u003cspan\u003e12 x 14 in., 152 pages\u003cbr\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 978-1-931885-93-5\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\u003c\/div\u003e","brand":"TPG Bookshop","offers":[{"title":"Default Title","offer_id":57576956395900,"sku":null,"price":67.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/ForNow.jpg?v=1791287504"},{"product_id":"eggleston-william-2-1-4","title":"Eggleston, William: 2 1\/4","description":"\u003cp\u003e\u003cstrong\u003eText by Bruce Wagner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson’s The Decisive Moment. 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John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the ‘first color photographer,’ and the world in which we consider a color photograph as art has changed because of him.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eA tribute to Eggleston’s brief experimentation with pocket-sized photographs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\u003cstrong\u003eTitle\u003c\/strong\u003e: 2 1\/4\u003cbr\u003e\u003cstrong\u003ePhotographer: \u003c\/strong\u003eWilliam Eggleston\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePublisher, Year\u003c\/strong\u003e: Twin Palms, 1999\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e: Hardcover\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSize, Pages\u003c\/strong\u003e: 12 x 12 in., 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Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Szarkowski, the legendary curator who worked at the Museum from 1962 to 1991, has published many influential books. 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