{"title":"Exhibition Related","description":"","products":[{"product_id":"martin-parr-early-works-signed-pre-order","title":"Martin Parr: Early Works","description":"\u003cp\u003eRRB Photobooks \u0026amp; the Martin Parr Foundation are delighted to present Martin Parr - \u003cem\u003eEarly Works\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe book covers the early part of Parr’s career, comprised of images shot between 1970 and 1984, mainly in the north of England and Ireland. 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Since the 1960s, he has been creating a haunting record of the tumultuous changes in Ukraine that accompanied the collapse of the Soviet Union and the disastrous consequences of its dissolution.\u003c\/p\u003e\n\u003cp\u003eIn an extraordinarily rich body of work that defies categorisation, Mikhailov unsettles visual codes. Inventing his own distinct artistic language in series that vary enormously in terms of technique, format and approach, he bears witness to the harsh social realities and absurdities of his time.\u003c\/p\u003e\n\u003cp\u003eCombining humour and tragedy, Boris Mikhailov unceasingly defends artistic freedom as both a means of resistance. Through his uncompromising treatment of controversial subjects, he demonstrates the subversive power of art.\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eFor more than half a century, he has been bearing witness to the grip of the Soviet system on his country, constructing a complex and powerful photographic narrative on Ukraine’s contemporary history that in light of current events, is all the more poignant and enlightening.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eOriginally published on the occasion of Boris Mikhailov's major retrospective at the MEP, Paris the book brings together 27 of Mikhailov's projects over the last 57 years. This is final copies of the now out of print second edition.\u003cbr\u003e\u003cbr\u003eThe publisher worked closely with Boris and Vita Mikhailov on the design and edit of the book to include over 3000 words in quotes giving a unique insight into each project and Boris' methodology and philosophy.\u003cbr\u003e\u003cbr\u003eA second booklet with essays contributed by Simon Baker (Director of MEP, Paris), Laurie Hurwitz (Curator of the exhibition), and artist Leigh Ledare (artists and friend of the Mikhailov's) complements the main book. Included in this are also translations for the series Viscidity and Unfinished Dissertation.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis new expanded second edition is published to coincide with our exhibition \u003ca href=\"https:\/\/thephotographersgallery.org.uk\/whats-on\/boris-mikhailov-ukrainian-diary\"\u003e\u003ci\u003eBoris Mikhailov: Ukrainian Diary\u003c\/i\u003e\u003c\/a\u003e and features four additional chapters; \u003ci\u003eSuzie Etc, Photomania in Crimea, Football\u003c\/i\u003e and \u003ci\u003eGerman Portraits\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in 1938 in Kharkiv, Ukraine, and trained as an engineer, Boris Mikhailov is a self-taught photographer. Early in his career, he was given a camera in order to document the state-owned factory where he was employed; he used it to take nude photographs of his wife. He developed them in the factory’s laboratory, and was fired after they were found by KGB agents.\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eToday seen as one of the most important figures on the international art scene, he has received many prestigious awards, among them the 2015 Goslar Kaiserring Award, the Citibank Private Bank Photography Prize (now the Deutsche Börse Photography Foundation Award) in 2001 and the Hasselblad Award in 2000. He represented Ukraine at the Venice Biennale in 2007 and again in 2017.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eHis work has been exhibited in major international venues, including the Tate Modern in London, MoMA in New York, and more recently, the Berlinische Galerie and C\/O Berlin in Berlin, the Pinchuk Art Center in Kyiv, the Sprengel Museum in Hannover and the Staatliche Kunsthalle in Baden Baden.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eBoris Mikhailov is represented in Paris by the Suzanne Tarasieve Gallery. He also shows his work at the Sprovieri Gallery in London, Guido Costa Projects in Turin, Barbara Gross in Munich and Galerie Barbara Weiss in Berlin.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eHe lives between Berlin and Kharkiv with his wife, Vita.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eFrom Blaue Horse 'Till Now Days 1965-2022\u003cbr\u003e\u003cstrong\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003e\u003c\/strong\u003eMörel, 2022, second edition 2023, expanded second edition 2025\u003cbr\u003e\u003cstrong\u003ePhotographers:\u003c\/strong\u003e Boris Mikhailov\u003cbr\u003e\u003cstrong\u003eAuthor: \u003c\/strong\u003eEssays by Simon Baker, Laurie Hurwitz, Leigh Ledare\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eHardcover, including booklet with essays\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e17 x 24 cm, 576+ pages (booklet 64 pages)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":44505867649245,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/BorisMikhailov.jpg?v=1706370064"},{"product_id":"bert-hardy-bend-him-poster-a2-10-00-incl-vat","title":"Bert Hardy Bend Him Poster A2","description":"Poster to accompany the exhibition Bert Hardy: Photojournalism in War and Peace\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eBert Hardy Bend Him Poster\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eThe Photographers' Gallery, 2024\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003ePoster, offset print on 190gsm paper, in cardboard tube\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003eA2 (42 x 59.4 cm) portrait format\u003cbr\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":44613054038237,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/BertHardyBendHim.jpg?v=1709314348"},{"product_id":"copy-of-bert-hardy-raf-men-poster-a2-10-00-incl-vat","title":"Bert Hardy RAF Men Poster A2","description":"Poster to accompany the exhibition Bert Hardy: Photojournalism in War and Peace\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstrong\u003eTitle: \u003c\/strong\u003eBert Hardy RAF Men Poster\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eThe Photographers' Gallery, 2024\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003ePoster, offset print on 190gsm paper, in cardboard tube\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003eA2 (42 x 59.4 cm), portrait format\u003cbr\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":44613091098845,"sku":null,"price":5.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/BertHardyRAFMen.jpg?v=1709314443"},{"product_id":"bert-hardy-britain-through-his-lens-1938-1957","title":"Bert Hardy: Britain Through His Lens 1938-1957","description":"\u003cp\u003e\u003cspan class=\"qowt-font3-Times\"\u003ePublished on the occasion of \u003ca href=\"https:\/\/thephotographersgallery.org.uk\/whats-on\/bert-hardy-photojournalism-war-and-peace\"\u003e\u003cem\u003eBert Hardy: Photojournalism in War and Peace\u003c\/em\u003e\u003c\/a\u003e, 23 February—02 June 2024 exhibited here at The Photographers’ Gallery this book is a new revised paperback edition of the out of print \u003cem\u003eBert Hardy's Britain. \u003c\/em\u003eIt looks at his work in the UK and features many of his most famous images with a new introduction by Tom Allbeson, Senior Lecturer in Media History, Cardiff University  and Karen McQuaid, Senior Curator, The Photographers’ Gallery\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"E48\"\u003e\u003cspan id=\"E49\" class=\"qowt-font3-Times\"\u003eBert Hardy was born\u003c\/span\u003e\u003cspan id=\"E50\" class=\"qowt-font3-Times\"\u003e in Lond\u003c\/span\u003e\u003cspan id=\"E51\" class=\"qowt-font3-Times\"\u003eon in May 1913. T\u003c\/span\u003e\u003cspan id=\"E52\" class=\"qowt-font3-Times\"\u003ehe eldest of seven children\u003c\/span\u003e\u003cspan id=\"E53\" class=\"qowt-font3-Times\"\u003e in a working-class family, he left school aged fourteen to work as a messenger\u003c\/span\u003e\u003cspan id=\"E54\" class=\"qowt-font3-Times\"\u003e \u003c\/span\u003e\u003cspan id=\"E55\" class=\"qowt-font3-Times\"\u003ecollecting and delivering film and prints f\u003c\/span\u003e\u003cspan id=\"E56\" class=\"qowt-font3-Times\"\u003erom\u003c\/span\u003e\u003cspan id=\"E57\" class=\"qowt-font3-Times\"\u003e West End chemists\u003c\/span\u003e\u003cspan id=\"E58\" class=\"qowt-font3-Times\"\u003e for a film processing company. Captivated by photography\u003c\/span\u003e\u003cspan id=\"E59\" class=\"qowt-font3-Times\"\u003e, he bought \u003c\/span\u003e\u003cspan id=\"E60\" class=\"qowt-font3-Times\"\u003ea\u003c\/span\u003e\u003cspan id=\"E61\" class=\"qowt-font3-Times\"\u003e \u003c\/span\u003e\u003cspan id=\"E62\" class=\"qowt-font3-Times\"\u003eplate camera \u003c\/span\u003e\u003cspan id=\"E63\" class=\"qowt-font3-Times\"\u003efrom a pawn\u003c\/span\u003e\u003cspan id=\"E64\" class=\"qowt-font3-Times\"\u003ebroker’s\u003c\/span\u003e\u003cspan id=\"E65\" class=\"qowt-font3-Times\"\u003e shop and \u003c\/span\u003e\u003cspan id=\"E66\" class=\"qowt-font3-Times\"\u003eusing his sister’s head as a tripod, \u003c\/span\u003e\u003cspan id=\"E67\" class=\"qowt-font3-Times\"\u003esnapped King George V and Queen Mary passing by in a carriage down Blackfriars Road.\u003c\/span\u003e\u003cspan id=\"E68\" class=\"qowt-font3-Times\"\u003e Bert printed off 200 postcards and sold them around the neighbourhood. A photographic career was launched.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp id=\"E69\"\u003e\u003cspan id=\"E70\" class=\"qowt-font3-Times\"\u003eCombining his interests of cycling and photography, he began freelancing for \u003c\/span\u003e\u003cem\u003e\u003cspan id=\"E71\" class=\"qowt-font3-Times\"\u003eThe Bicycle\u003c\/span\u003e\u003c\/em\u003e\u003cspan id=\"E72\" class=\"qowt-font3-Times\"\u003e magazine, where he came into contact with the new miniature 35mm cameras. Buying a second-hand \u003c\/span\u003e\u003cspan id=\"E74\" class=\"qowt-font3-Times\"\u003eLeica\u003c\/span\u003e\u003cspan id=\"E76\" class=\"qowt-font3-Times\"\u003e, he worked for a \u003c\/span\u003e\u003cspan id=\"E77\" class=\"qowt-font3-Times\"\u003ephotographic agency\u003c\/span\u003e\u003cspan id=\"E78\" class=\"qowt-font3-Times\"\u003e before being taken on as\u003c\/span\u003e\u003cspan id=\"E79\" class=\"qowt-font3-Times\"\u003e a staff photographer at the \u003c\/span\u003e\u003cspan id=\"E80\" class=\"qowt-font3-Times\"\u003eprestigious \u003c\/span\u003e\u003cem\u003e\u003cspan id=\"E81\" class=\"qowt-font3-Times\"\u003ePicture Post\u003c\/span\u003e\u003cspan id=\"E82\" class=\"qowt-font3-Times\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan id=\"E83\" class=\"qowt-font3-Times\"\u003emagazine in 1940 before\u003c\/span\u003e\u003cspan id=\"E85\" class=\"qowt-font3-Times\"\u003e being called away to join the Army’s photographic unit, covering the Normandy Landings, the Allies march into Paris, the crossing into Germany, and the traumatic liberation of \u003c\/span\u003e\u003cspan id=\"E87\" class=\"qowt-font3-Times\"\u003eBelsen\u003c\/span\u003e\u003cspan id=\"E89\" class=\"qowt-font3-Times\"\u003e concentration camp. He returned to \u003c\/span\u003e\u003cem\u003e\u003cspan id=\"E90\" class=\"qowt-font3-Times\"\u003ePicture Post\u003c\/span\u003e\u003c\/em\u003e\u003cspan id=\"E91\" class=\"qowt-font3-Times\"\u003e and was responsible for some of their greatest features.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eBert Hardy Britain Through his Lens 1938-1957 \u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eBlue Coat Press, 2024\u003cbr\u003e\u003cstrong\u003eAuthors:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003eTom Albeson, Karen McQuaid and Diane Smyth\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePhotographer: \u003c\/strong\u003eBert Hardy\u003cbr\u003e\u003cstrong\u003eGraphic Design: \u003c\/strong\u003eTom Booth Woodger \u0026amp; Safia Mirzai\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaperback\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e66 pages \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e9781908457844\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":45014476423389,"sku":null,"price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/BertHardyBritainThroughhisLens_tpgbookshop_cover.jpg?v=1713534992"},{"product_id":"graciela-iturbide-on-dreams-symbols-and-imagination-the-photography-workshop-series","title":"Graciela  Iturbide on Dreams, Symbols, and Imagination (The Photography Workshop Series)","description":"\u003cp\u003eIn this volume of \u003ci\u003eThe Photography Workshop Series\u003c\/i\u003e, Graciela Iturbide—known for her portraits and landscapes imbued with poetic ambiguity and documentary truth—explores photographing in ways that employ a deeply personal vision, while also reflecting subjects’ rich cultural backgrounds.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Iturbide shares her creative process and artistic inspirations, and discusses a wide range of issues, from the importance of surprise and recognizing what speaks to you, to capturing symbolism and meaning in the everyday.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGraciela Iturbide\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(born in Mexico City, 1942) is one of the most celebrated and prolific figures in photography, best known for her powerful photographs of Mexico. Her work is collected in museums around the world, including the San Francisco Museum of Modern Art; Museum of Fine Arts, Houston; Tate Modern, London; and Centre Pompidou, Paris. 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He graduated from Facultad de Ciencias Políticas y Sociales and Centro Universitario de Estudios Cinematográficos at Universidad Nacional Autónoma de México, Mexico City, and is a founding member of the Centro de Información Gráfica at Archivo General de la Nación, Mexico City.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003eMauricio Maillé\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ehas developed audiovisual projects in photography and cinema for museums, public spaces, editorial publications, and digital platforms for twenty-five years. 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To prove this, her gaze transitions from the soils of her garden to a 35mm film camera and eventually to watercolor paper.\u003c\/p\u003e\n\u003cp\u003eHer approach to photography is unique. She creates her own photographic paper by applying a photosensitive emulsion with a brush to Italian Fabriano watercolor paper. She then handles a classic enlarger to expose photographs taken in natural light with a 35mm film camera onto the photographic paper. Subsequently the emulsions are meticulously cleared off with a paintbrush and hot water, as if drawing shadows.\u003c\/p\u003e\n\u003cp\u003eAs a result, the drawings-like intuitive outlines of her subjects, which are characteristic of her work, can be perceived as both aspect: the photographic one that captures an instant in time, and the pictorial one that is completed over time while defining lines and shadows. 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She had thus experienced the connection to this planet she had never felt before. Iceland was her point of departure; she continued to experience similar sights such as the nature around her home after the COVID-19 pandemic and the winter land of Hokkaido. She opened her majestic solo exhibition “M\/E On this sphere Endlessly interlinking” and showcased a fraction of the “M\/E” series. Even today, this body of work is been exhibited around the world.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e　\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe title “M\/E” comes from the first letters of the words “Mother” and “Earth”, “Mother Earth” if read in sequence, and also hints at the word “Me”. It reminds us of the certainty that nature as an infinite existence and the small ubiquitous occurrences from our daily lives are not unrelated, but inseparably connected. 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Photography) in 2009, the 25th Infinity Award in the Arts category organised by ICP (International Center of Photography) in 2013, the Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize for New Artists (2012) in 2013, and the Sony World Photography Award for Special Merit in 2023. Major solo exhibitions include ‘AILA + Cui Cui + the eyes, the ears,’ Fondation Cartier pour l’art contemporain, Paris (2005); ‘Illuminance Ametsuchi: Seeing Shadows’ (Tokyo Metropolitan Museum of Photography) (2012); ‘The river accepted me’ (Contemporary Art Museum Kumamoto) (2016); ‘Rinko Kawauchi’ (2022-2023). : M\/E On the Sphere: an Infinite Series’ (Tokyo Opera City Art Gallery, Shiga Museum of Art) and many others. Recent publications include the photographic collections Yamanami and Imakoko (co-authored with Shuntaro Tanikawa). 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What does remain undisputed is that “Sociological Record” is a striking testimony of its time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA fascinating celebration of Rydet’s work that is sure to spur on fresh debate about art as a social practice and a tool of knowledge, \u003c\/span\u003e\u003ci\u003eObject Lessons\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ereminds us of photography’s incredible power to provide a visual way of thinking and a provocative method for archiving the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eObject Lessons: Zofia Rydet's Sociological Record\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eMuseum of Modern Art Warsaw, 2018\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Zofia Rydet\u003cbr\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eSoftcover\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 9788364177378\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":55844579180924,"sku":null,"price":26.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/Zofiabook.jpg?v=1759940425"},{"product_id":"auto-photo-a-life-in-portraits","title":"Alan Adler: Auto-Photo - A Life in Portraits","description":"\u003cp\u003eVery little about the photobooth experience has changed since its inception in the early twentieth century. 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European fit, for US sizes order one size up.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDTG print on white organic cotton. 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She would approach a home unannounced, knock, and warmly introduce herself and ask the people living there if they would like to take part in her project. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW184550706 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan class=\"TextRun SCXW184550706 BCX0 NormalTextRun SpellingErrorV2Themed\" lang=\"EN-GB\"\u003eRydet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ewas always on the road, with a camera in her hand. For nearly three decades, she photographed people in their homes, still lives, building exteriors and landscapes. She also returned to the same houses several years after she first visited to document the transformation of rural Poland. The result –\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSociological Record\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– is a monumental project and one of the most important achievements in 20\u003cspan class=\"TextRun SCXW184550706 BCX0 NormalTextRun Superscript\" lang=\"EN-GB\"\u003eth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ecentury Polish photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW184550706 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003eRydet used photography to express everyday stories and capture the essence of what it meant to be human. Despite the project’s epic scope, the individual portraits often feel intimate and revealing. Her careful and considered practice spans decades and she worked on the project until her death in 1997. \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW262458357 BCX0\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003eTotalling nearly 20,000 negatives, only a fraction of the\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003eSociological Record\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003eimages\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun ContextualSpellingAndGrammarErrorV2Themed\" lang=\"EN-GB\"\u003ewere\u003c\/span\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003eprinted in\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun SpellingErrorV2Themed\" lang=\"EN-GB\"\u003eRydet’s\u003c\/span\u003e\u003cspan class=\"TextRun SCXW262458357 BCX0 NormalTextRun\" lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003elifetime. Over 100 prints are on show at The Photographers' Gallery, alongside books and personal letters.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-teams=\"true\"\u003eZofia Rydet: Sociological Record is part of the UK\/Poland Season 2025. It is co-curated by Karol Hordziej and Clare Grafik. The exhibition and accompanying book are produced by The Photographers’ Gallery in partnership with the Adam Mickiewicz Institute and the Zofia Rydet Foundation. UK\/Poland Season 2025 is organised by the British Council, the Adam Mickiewicz Institute and the Polish Cultural Institute, financed by the Ministry of Culture and National Heritage and the Ministry of Foreign Affairs in Poland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eTitle: \u003c\/b\u003e\u003cspan\u003eSociological Record 1978-1990\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003ePublisher: \u003c\/b\u003e\u003cspan\u003ePalm* Studio \u0026amp; The Photographers' Gallery, 2025\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAuthors:\u003c\/b\u003e Text by Adam Mickiewicz Institute, Karol Hordziej, Clare Grafik, Zofia Rydet\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003ePhotographer: \u003c\/b\u003eZofia Rydet\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eFormat: \u003c\/b\u003e\u003cspan\u003eEmbossed softcover with dust jacket.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSize: \u003c\/b\u003e\u003cspan\u003e24x29cm, 128 Pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eEdition: \u003c\/b\u003e\u003cspan\u003e700\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0cm;\" class=\"MsoNormal\"\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eISBN: \u003c\/b\u003e\u003cspan\u003e9781068496707\u003c\/span\u003e\u003c\/p\u003e","brand":"TPG Bookshop","offers":[{"title":"Default Title","offer_id":55895154295164,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_9f3de067-c2c0-432e-95c5-07a65771dc96.png?v=1761151147"},{"product_id":"weronika-gesicka-encyclopaedia","title":"Weronika Gęsicka: Encyclopaedia","description":"\u003cdiv style=\"mix-blend-mode: normal;\" class=\"fe-block fe-block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv id=\"block-a1f9fba6a4612630ecbc\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' data-block-type=\"2\" data-blend-mode=\"NORMAL\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cstrong\u003eJungftak\u003c\/strong\u003e\u003cspan\u003e, (n.) a Persian bird, the male of which had only one wing, on the right side, and the female only one wing, on the left side; the male had a hook of bone, and the female an eyelet of bone, and it was by uniting hook and eye that they were able to fly.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhatever encyclopaedia we reach for, we are used to treating it as a source of knowledge about the world, people and phenomena. A source about which we have no doubt that the information it contains is verified and true. But what would happen if it were otherwise?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cstrong\u003eThe Baldock Beer Disaster\u003c\/strong\u003e, occurred on March 14, 1904, when an unstable storage room floor collapsed at the Simpson Brewery, in what is now Simpsons Drive, in the North Hertfordshire town of Baldock in England. Around 300 barrels and crates of beer fell three floors through the brewery. Some surrounding streets were temporarily hit by a wave of beer, which reportedly destroyed three houses and killed a dog.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeronika Gęsicka undertook the heroic project of searching old encyclopaedias for entries that had been created in order to prove plagiarism in the form of illegal reprinting of their content. She illustrated each of the headwords she found in her own way: by modifying stock photos and creating new images using artificial intelligence. In this way, a unique \u003cem\u003eEncyclopædia\u003c\/em\u003e of fake events, animals, characters and objects was created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“\u003cstrong\u003eMountweazel, Lillian Virginia\u003c\/strong\u003e, 1942-1973, American photographer. She was awarded government grants to make a series of photo-essays of unusual subject matter, including New York City buses, the cemeteries of Paris and rural American mailboxes.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBut behind this seemingly amusing collection lies a very important question: how can we function in an age of information manipulation and fake news, when even encyclopaedias cannot be trusted? What sources can we rely on to ensure that they do not provide fabricated data? How can we distinguish between fake news and reliable information?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeronika Gęsicka's creative images are accompanied by an essay written by Charlotte Cotton, an internationally renowned curator and photography theorist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e Encyclopaedia\u003cstrong\u003e\u003cbr\u003ePublisher: \u003c\/strong\u003eBlow Up Press, 2024\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eImages\u003c\/strong\u003e: \u003c\/span\u003eWeronika Gęsicka\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eEssay:\u003c\/strong\u003e \u003c\/span\u003eCharlotte Cotton\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003cstrong\u003eBook design\u003c\/strong\u003e: \u003c\/span\u003eAneta Kowalczyk\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eHardcover cotton with hot stamping\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e225x300 mm, 252 pages\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e9788396596963\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":55947359388028,"sku":null,"price":80.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_261ef0f4-ff69-4bc6-ad94-4c5a01e38a32.png?v=1762449891"},{"product_id":"michael-kenna-constellation","title":"Michael Kenna: Constellation (signed)","description":"\u003cdiv class=\"fe-block fe-block-a1f9fba6a4612630ecbc\" style=\"mix-blend-mode: normal;\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-blend-mode=\"NORMAL\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' id=\"block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp\u003e\u003cspan\u003eTo mark the 50th anniversary of Michael Kenna’s artistic career, Constellation presents a selection of 122 photographs from the monumental oeuvre of this great master of contemporary photography. This retrospective, which accompanies the exhibition of the same name at the musée de la photographie Charles Nègre in Nice, retraces several decades of creative work, from 1973 to 2025, and showcases the world’s landscapes through the artist’s unique eyes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e Constellation\u003cstrong\u003e\u003cbr\u003ePublisher: \u003c\/strong\u003eSkira, 2025\u003cbr\u003e\u003cspan\u003e\u003cb\u003ePhotography: \u003c\/b\u003eMichael Kenna\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eHardback\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e26x30 cm, 176 Pages\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan\u003e9782370742841\u003c\/span\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56036964335996,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_f2048353-c360-43b9-a476-c54bd8506923.png?v=1764435934"},{"product_id":"boris-mikhailov-in-search-of-window-of-opportunity-exodus","title":"Boris Mikhailov: \"...in search of window of Opportunity \/ Exodus...\"","description":"\u003cdiv style=\"mix-blend-mode: normal;\" class=\"fe-block fe-block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv id=\"block-a1f9fba6a4612630ecbc\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' data-block-type=\"2\" data-blend-mode=\"NORMAL\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp\u003e\u003cspan\u003eA cheeky boy and a wise old man, two figures in one, Mikhailov passes a merciless sentence on contemporaneity without uttering a single word. Powerful and sometimes graphic, these images confront the viewer with unexpected juxtapositions: despair and hope, beauty and suffering, disgust and Homeric laughter. Each page strikes like a blow to the face. Whereas blackness around each image fills the pages, framing them like petroleum or fertile black soil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003e\"...in search of window of Opportunity \/ Exodus...\"\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003e89 Books, 2025\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Boris Mikhailov\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003cspan class=\"s1\"\u003eHardcover\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e14 x 24 cm, 256 Pages\u003cbr\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e9791282350013\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56118680387964,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_f0bce627-89ed-4cfb-91dc-cd93010c386d.png?v=1765629522"},{"product_id":"michael-kenna-silver-haikus-asia-photographed","title":"Michael Kenna: Silver Haikus; Asia Photographed (signed)","description":"\u003cdiv class=\"fe-block fe-block-a1f9fba6a4612630ecbc\" style=\"mix-blend-mode: normal;\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-blend-mode=\"NORMAL\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' id=\"block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp\u003e\u003cspan\u003eThe influence of Asia's arts and culture on Michael Kenna's black-and-white landscapes, evoking everything from Zen gardening to Chinese calligraphy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSince his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape–from the dignity of a tree or a rock–has led some commentators to describe them as visual haikus.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eSilver Haikus provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet.\u003c\/p\u003e\n\u003cp\u003eMore specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks; foreword by Yannick Lintz (President of the Guimet Museum), text “Studies in surrender” by Pico Iyer, introduction by Édouard de Saint-Ours, text “Michael Kenna's Asia: A Journey for a Visual Poeml” by Haely Chang, “Photographing the invisible, A Conversation with Michael Kenna” by Édouard de Saint-Ours\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e Silver Haikus; Asia Photographed\u003cstrong\u003e\u003cbr\u003ePublisher: \u003c\/strong\u003eSkira, 2025\u003cbr\u003e\u003cspan\u003e\u003cb\u003ePhotography: \u003c\/b\u003eMichael Kenna\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e\u003c\/strong\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003eHardback\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e23.5 x 29.5 cm, 208 Pages\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e:\u003cspan\u003e 9782370742759\u003c\/span\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56206105510268,"sku":null,"price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_a7188080-cbfa-4b5d-9f24-d257fe059f24.png?v=1767891444"},{"product_id":"donna-gottschalk-helene-giannecchini-we-others","title":"Donna Gottschalk, Hélène Giannecchini: We Others","description":"\u003cdiv class=\"fe-block fe-block-a1f9fba6a4612630ecbc\" style=\"mix-blend-mode: normal;\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-blend-mode=\"NORMAL\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' id=\"block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp\u003eIn January 2023, Donna Gottschalk met Hélène Giannecchini for the first time. Although they were separated by some forty years, they developed a close bond. In search of images for her forthcoming book on friendship, Hélène explores Donna's archives and collects her words, her story. Deeply moved by Donna's life and photographs, Hélène set out to echo them.\u003cbr\u003e\u003cbr\u003eDonna Gottschalk's work paints a social, political and intimate portrait of an invisible America, from the late 1960s to the 1980s. As a member of the queer community herself, and involved in the early lesbian rights movement, Donna focused on photographing people on the margins of society, with whom she lived, campaigned and worked: her relatives, friends, lovers and comrades in struggle. Her favorite mode of expression is the portrait, which she strives to capture without artifice. The people she photographs pose for her in an intimate setting, most often in her apartment, fully embracing their freedom. With a sensitive, committed and non-judgmental eye, Donna gradually builds up a family album, a collective memory.\u003cbr\u003e\u003cbr\u003eThroughout the book, a text by Hélène Giannecchini activates, reveals and extends Donna Gottschalk's images. An essay by Julie Héraut, co-curator of the exhibition, entitled “Archive against oblivion,” looks back at the careers of the two women and the genesis of this four-handed project.\u003c\/p\u003e\n\u003cp\u003eIn “Being seen. On Donna, visibility, and me,” African-American photographer and art historian Carla Williams draws a parallel between her photographic practice and Donna's, a few decades apart. A selection of archives completes the picture.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e We Others\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eLE BAL \/ Atelier EXB, 2025\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Donna Gottschalk\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eEdit\u003c\/strong\u003e: Nathalie Chapuis, assisted by Camille Cibot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTexts:\u003c\/strong\u003e \u003c\/span\u003eHélène Giannecchini, Julie Héraut, Carla Williams\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e \u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cspan\u003e19,5 x 24,5 cm, 256 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 9782365114486\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56395859427708,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_349417c0-07be-464b-8156-03ddfaac14fd.png?v=1771933477"},{"product_id":"helene-giannecchini-an-army-of-lovers-cannot-fail","title":"Hélène Giannecchini: An Army of Lovers Cannot Fail","description":"\u003cdiv class=\"fe-block fe-block-a1f9fba6a4612630ecbc\" style=\"mix-blend-mode: normal;\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-blend-mode=\"NORMAL\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' id=\"block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cdiv id=\"summary\" class=\"entry-content\"\u003e\n\u003cp\u003eA friendship is a filiation we choose. It holds love and laughter; it can extend our sense of the possible. Moved to honour a form of relation often subordinated to romantic and familial ties, and to explore a part of her own history, Hélène Giannecchini pieces together an alternative genealogy of queer ancestors. In searching and sensitive prose, she sifts the past to bring existences deemed ‘marginal’ into communion with each other, traces of which may remain only in memory and archival fragments. Roving from Casa Susanna, a space of freedom from persecution in McCarthyite North America, to the diary of a man living with HIV in France, and to the life and work of pioneering lesbian photographer Donna Gottschalk, each narrative counters oblivion through loving acts of witness. A slantwise gathering of queer life and activism in the twentieth century, interspersed with images encountered by chance, \u003cem\u003eAn Army of Lovers Cannot Fail\u003c\/em\u003e establishes friendship as a vital political force and offers a moving testament to its liberatory power.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"read_more_content\" class=\"entry-content\"\u003e\n\u003cp\u003e‘\u003cem\u003eAn Army of Lovers Cannot Fail \u003c\/em\u003eis a florilegium of countersexual kinmaking, survival strategy, lesbian comradeship, dinner parties full of queer ancestors, fugitive photography, transfeminist acting-up, insurrectionary eroticism and pieces of anonymous queer archival ephemera from many lands, brought alive with the help of critical fabulation. The domination of the couple-form over human life can and must be brought to an end, and Giannecchini deftly points to all the places where it is already dead (or perhaps always was). At the heart of this beautiful book lies a deceptively incendiary critique of capitalist society. It asks a direly urgent question: can humanity rise to the challenge of the term “friend”? If not, how do we propose to live together?’ \u003cbr\u003e— Sophie Lewis, author of \u003cem\u003eAbolish the Family\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e An Army of Lovers Cannot Fail\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eFitzcarraldo Editions, 2026\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Donna Gottschalk\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e \u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cspan\u003e204 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56396065472892,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_14e16d4d-210a-4dac-ad22-d350d015f9b7.png?v=1771934205"},{"product_id":"amak-mahmoodian-zanjir","title":"Amak Mahmoodian: Zanjir (signed)","description":"\u003cdiv class=\"fe-block fe-block-a1f9fba6a4612630ecbc\" style=\"mix-blend-mode: normal;\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-blend-mode=\"NORMAL\" data-block-type=\"2\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' id=\"block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cdiv id=\"summary\" class=\"entry-content\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"read_more_content\" class=\"entry-content\"\u003e\n\u003cp\u003eZanjir is a conversation imagined between the artist Amak Mahmoodian (1980-present) and the Persian princess and memoirist Taj Saltaneh (1883 - 1936). In Zanjir, Amak Mahmoodian draws on imagery from the King's collection from the 19th Century held at Golestan archives in Tehran and photographs she took in Iran to explore feelings of loss and separation from family and homeland. Through memories and dreams, Zanjir mythifies absence and presence. The present which continuously exists in past, and the past which continuously exists in present.  \u003c\/p\u003e\n\u003cp\u003eAmak Mahmoodian is an artist born in Shiraz and lives in Bristol, UK. In 2015, she completed a practice based doctorate in photography at the University of South Wales, having previously studied at the Art University of Tehran. The artist’s work questions Western notions of identity, expressing personal stories that pertain to wider social issues which draws on her experiences in the Middle East, Asia and the West. Her previous project, Shenasnameh, has been widely exhibited internationally and the accompanying artist photobook won many awards and critical acclaim in publications as diverse as Time magazine, Lensculture and Foam magazine. In addition to her own artistic practice, Mahmoodian is a curator and through the Ffotogallery touring exhibition Bi nam – Image and Identity in Iran she provided first European exposure for emergent Iranian artists and photographers, presenting work previously unseen outside Iran.\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e Zanjir\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eRRB Photobooks \u0026amp; IC Visual Lab, 2019\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Amak Mahmoodian\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e \u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cspan\u003e152 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781999727581\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56396105220476,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_d90b8929-4fe5-4249-a085-7087d03a7e9e.png?v=1771935159"},{"product_id":"jane-evelyn-atwood-pigalle-people-1978-1979","title":"Jane Evelyn Atwood: Pigalle People 1978–1979","description":"\u003cdiv style=\"mix-blend-mode: normal;\" class=\"fe-block fe-block-a1f9fba6a4612630ecbc\"\u003e\n\u003cdiv id=\"block-a1f9fba6a4612630ecbc\" data-border-radii='{\"topLeft\":{\"unit\":\"px\",\"value\":0.0},\"topRight\":{\"unit\":\"px\",\"value\":0.0},\"bottomLeft\":{\"unit\":\"px\",\"value\":0.0},\"bottomRight\":{\"unit\":\"px\",\"value\":0.0}}' data-block-type=\"2\" data-blend-mode=\"NORMAL\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cdiv class=\"entry-content\" id=\"summary\"\u003e\n\u003cp\u003eIt is 1978 in Pigalle. Jane Evelyn Atwood, a young American, has been in Paris for a few years. She’s just completed her very first photo story about the prostitutes in town, in which she asserts from the beginning what will remain the fundamentals of her practice: long-term involvement, immersion, respect, empathy. And nightlife fascinates her. She continues. She wanders the small streets in back of the Boulevard de Clichy, the ones that climb to Abbesses, rue Houdon, André Antoine, Lepic, and the rue des Martyrs… Transsexuals dot the streets, soliciting men for 100 francs. The bars here are holes in the wall, not for outsiders. The tourists stay down on the Boulevard. There’s warmth, happiness as well as violence in the air.\u003c\/p\u003e\n\u003cp\u003eOne day she sees two trans disappear into a building, she follows them. She photographs them. That’s where this book begins. It brings together photographs that were taken over a period of a bit more than a year.\u003c\/p\u003e\n\u003cp\u003eIn the very beautiful text in which she recalls these days, Jane Evelyn Atwood writes: “I photographed the trans of Pigalle as I saw them, but I couldn’t photograph what they’re all about. Their lives are hard because they’re ridiculed, feared, ostracized, pushed to the margins by society –but even more so, because they’re so complicated. They have a sorrow deep within, too deep to capture with a camera, almost too far to reach with words. It’s private: a secret, even from them.”\u003c\/p\u003e\n\u003cp\u003eThen AIDS hit in the 1980s. Many died, some moved to other neighborhoods, skinheads came down from the projects nearby to beat up the few trans who were left. It wasn’t safe for them to be in Pigalle. Then the law banned soliciting on the streets. With their departure, Pigalle, as it is recounted in this book full of compassion and lucidity, vanished.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTitle:\u003c\/strong\u003e Pigalle People 1978–1979\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eLe Bec en l’air, 2018\u003cbr\u003e\u003cstrong\u003ePhotographer:\u003c\/strong\u003e Jane Evelyn Atwood\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e \u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e \u003cspan\u003e160 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e 9782367441269\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"* New or Sealed *","offers":[{"title":"Default Title","offer_id":56396122587516,"sku":null,"price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2244\/5351\/files\/1_c6c97b9d-a5ea-4d68-b505-61743e62f640.png?v=1771935741"}],"url":"https:\/\/bookshop.thephotographersgallery.org.uk\/collections\/wim-wenders.oembed?page=6","provider":"TPG Bookshop","version":"1.0","type":"link"}