Toward the Not-Yet. Art as Public Practice
Photobooks & - a critical companion to the contemporary medium
What They Saw: Historical Photobooks by Women, 1843-1999
Hapax Magazine Issue 1 Autumn/Winter 2021/2022
Carmen Winant: Instructional Photography
Franco "Bifo" Berardi: The Third Unconscious - The Psychosphere in the Viral Age
The Photograph That Changed My Life
Teju Cole: Black Paper - Writing in a Dark Time
Peter Gidal: The Author as Producer of Nothing
Tina M. Campt: A Black Gaze - Artists Changing How We See
Stanley Wolukau-Wanambwa: Dark Mirrors
Unfixed: photography and decolonial Imagination in West Africa
Alice Hattrick: Ill Feelings
Intertitles
Organic Music Societies
Diane Arbus's 1960s - Auguries of Experience
Forensic Architecture Report #1: The Police Shooting of Mark Duggan
Anna Ostoya & Chantal Mouffe: Politics and Passions
Gayatri Chakravorty Spivak & Estefanía Peñafiel Loaiza: Can the Subaltern Speak?
Everything Passes Except the Past - Decolonizing Ethnographic Museums, Film Archives, and Public Space
Walter D. Mignolo: The Politics of Decolonial Investigations
Matthew Fuller and Eyal Weizman: Investigative Aesthetics. Conflicts and Commons in the Politics of Truth
Wicked Arts Assignments - Practising Creativity in Contemporary Arts Education
Class Slippers - Jo Spence on Fantasy, Photography & Fairytales
Jason Fulford: Photo No-Nos
Paul B. Preciado: Can the Monster Speak?
Guy Cools: Performing Mourning
Nele Wynants (Ed.): When Fact is Fiction
William J. Simmons: Queer Formalism, The Return
Audre Lorde: Your Silence Will Not Protect You
Benjamin Bratton: The Revenge of The Real
Form of The Book Book
Nearness: Art and Education after Covid-19
Uneven Bodies
World Jam: Us Versus Virus
Curator Conversations
Maryanne Amacher: Selected Writings and Interviews
Sounds Like Her: Gender, Sound Art and Sonic Cultures
Musa Okwonga: In The End, It Was All About Love
Capitalism and the Camera: Essays on Photography and Extraction
Renée Green: Camino Road
Borrowing Positions: Role Playing Design & Architecture
Geoff Dyer: See/Saw (Signed)
Valuing Architecture: Heritage and the Economics of Culture
Transcendent Waves: How Listening Shapes Our Creative Lives
Black Art Notes
Maurizio Lazzarato: Capital Hates Everyone
4 Brown Girls Who Write
Jacques Rancière: The Emancipated Spectator
Andrea Büttner: Shame
