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Wolfgang Tillmans (Ed.): Jahrsering 64 - What is Different?
François Cusset: How the World Swung Right
Xcèntric Cinema. Conversations on the creative process and the filmic vision
Anouk De Clercq: Where is Cinema?
Katy Deepwell (Ed.): Feminist Art Activisms and Artivisms
Laboria Cuboniks: The Xenofeminist Manifesto
Broken Music
Damon Krukowski: Ways of Hearing
John Berger: Ways of Seeing
John Berger: Confabulations
John Berger: Understanding a Photograph
Marshall McLuhan & Quentin Fiore: The Medium is the Massage - An Inventory of Effects
Susan Sontag: Regarding The Pain of Others
Susan Sontag: On Photography
Susan Sontag: Against Interpretation and Other Essays
The Nelson George Mixtape: Volume 1
Virgil Abloh: Insert Complicated Title Here (The Incidents)
Sophia Al-Maria: Sad Sack - Collected Writings
Maria Lind: Seven Years - The Rematerialisation of Art from 2011-2017
Modern Queer Poets Vol. One
Roy DeCarava & Langston Hughes: The Sweet Flypaper of Life
Patricia Allmer & John Sears: 4 Saints in 3 Acts
Mitch Speed: Mark Leckey - Fiorucci Made Me Hardcore (One Work)
Anna-Kaisa Rastenberger & Iris Sikking (Eds.): Why exhibit? Positions on Exhibiting Photographies
David Goldblatt: The Last Interview
Dawoud Bey on Photographing People and Communities
Larry Fink on Composition and Improvisation
Todd Hido on Landscapes, Interiors and the Nude
Klee Mutations
In Reserve: The Household!
Andrew Bellamy: Analogue Photography - Reference manual for shooting film
David Campany: So present, so invisible
Benjamin Moser: Sontag, Her Life
PhotoWork: Forty Photographers on Process and Practice
The Photographer's Playbook
Giovanna Silva & Hamed Khosravi: Tehran
David Wojnarowicz: In the Shadow of Forward Motion
The People Shall Govern!: Medu Art Ensemble and the Anti-Apartheid Poster, 1979-1985
David Campany: On Photographs (Signed)
Elements of Vogue: A Case Study in Radical Performance
Aladin Borioli (APIAN): Ruches, 2400 A.E.C. – 1852 E.C. / Hives, 2400 B.C.E. – 1852 C.E. (Signed)
